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Dasha Surma’s artworks are all about making magic out of the mundane
Drawn to documenting daily life, routine, and memory the illustrator is making “an effort to greet things whether they are ...
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Nightpay is Rachel Fitzgerald’s eerie take on paranoia and petrol stations
The Irish animator and filmmaker’s new short takes a shift at a 24-hour night pay window as the stage for her magnified depictions of everyday paranoia.
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Commercial Type reintroduces Herb Lubalin’s iconic L’eggs logotype
In collaboration with Britt Cobb of Cobbco and Jonny Sikov of Pentagram, Commercial Type welcomes back the 1970s classic.
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Dinamo premieres its new baroque typeface with a children’s book for adults
Designer and writer of Otto, Sam de Groot, expands on the pleasure of bringing a typeface to “its natural habitat: telling a story”.
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Pam Puck’s paper mache sculptures are funny and vulnerable in equal measure
Inspired by folk, outsider, ancient and mediaeval art, the sculptor allows their subconscious to take hold of the wheel.
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A blocky blank canvas: how Minecraft is inspiring a new wave of art and design
Generative art, immersive installations, and virtual music festivals – Minecraft’s cultural cachet goes far beyond the Overworld.
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Lewis Gordon
Lewis Gordon is a culture critic and journalist based in Glasgow. His work appears in outlets such as The New York Times, ArtReview, Vulture, and The Guardian.
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Nomint’s incredible stop-motion for WWF is captured on a thermal camera, by “painting with heat”
After accomplishing the impossible and animating with ice, fire and smoke, the award-winning studio has found a stunning new ...