A few years ago, David Wilkinson got in touch to ask for advice on his crowdfunding campaign. One of the topics he wanted to chat about was the ‘cost’ of offering a “Thanks” credit to his backers.
When I published my first piece on standing ovations at film festivals a few weeks ago, I expected it to be a niche topic. Tricia Tuttle, the director of the Berlinale, had asked whether applause ...
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