As this new revival takes center stage, it offers an ideal moment to trace the play’s journey: from Beckett’s postwar France to its polarizing first performances in Paris and London, to its absorption ...

Performances in N.Y.C. Advertisement Supported by The latest starry revival of Samuel Beckett’s play is on Broadway, and one thing is certain: Whatever you call its elusive character, he doesn’t come.

“No man’s land” is a term that is most commonly associated with the first World War, and it means a place that’s being argued over despite people not living there out of fear or anxiety. Harold Pinter ...

The world of Samuel Beckett’s play is an existential void, inhumane and unreliable. Most directors and actors assume that its denizens know this already, which makes their actions insignificant even ...