It may be infamous for its dogshit cover, but there’s a gleefully devilish abandon to Ian Gillan’s sole Sabbath album. Side-two opener Disturbing The Priest makes artful use of both loudness and ...
Tony Iommi’s songwriting momentum, which sparked 1987's 'The Eternal Idol,' carried over to Black Sabbath's 1989 offering, ‘Headless Cross.’ The relatively stable lineup didn’t hurt either. And while ...
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